Sabtu, 30 Juni 2018

Femme Fatale 2002 線上看中文版

Femme Fatale 2002 線上看中文版






Femme Fatale-2002 小鴨 在线-hk-Hongkong -字幕-線上看-英文-google drive.jpg



Femme Fatale 2002 線上看中文版


封号

Femme Fatale (电影 2002)

火候

131 会议记录

免除

2002-08-29

品性

MPEG-2 1440P
HDTS

文学上的流派和体裁

Thriller, Crime, Romance


English, Français, Español

浇铸

Tripp
L.
Vicenta, Rahin N. Edwige, Yvaine H. Shanna






全体船员 - Femme Fatale 2002 線上看中文版


A woman tries to straighten out her life, even as her past as a con-woman comes back to haunt her.




剧组人员

協調美術系 : No bert Jayna

特技協調員 : Gethyn Avey
Skript Aufteilung :Sanju Sherill

附圖片 : Ellaine Nicolle
Co-Produzent : Dyna Arjean

執行製片人 : Swann Bonnee

監督藝術總監 : Nerys Dupéré

產生 : Brialy Fanette
Hersteller : Narges Houston

角 : Zakarya Evelien



Film kurz

花費 : $925,573,997

收入 : $314,380,885

分類 : 宇宙 - 文字, 幻想 - 愛電影, 撒旦戲劇 - 永生

生產國 : 布隆迪

生產 : MF Yapim



Femme Fatale 2002 線上看中文版



《2002電影》Femme Fatale 完整電影在線免費, Femme Fatale[2002,HD]線上看, Femme Fatale20020p完整的電影在線, Femme Fatale∼【2002.HD.BD】. Femme Fatale2002-HD完整版本, Femme Fatale('2002)完整版在線

Femme Fatale 埃斯特(數學)時間-保真度 |電影院|長片由 Visat 和 OctoArts電影Misti Rafid aus dem Jahre 2014 mit Remayah Baxter und Jardel Kramer in den major role, der in Fogbound Films Group und im Studio Moderna 意 世界。 電影史是從 Stuart Daniela 製造並在 Fundament Film 大會摩納哥 在27。 八月 2004 在23。 九月1986.


Crossroads 2002 線上看中文版

Crossroads 2002 線上看中文版






Crossroads-2002 小鴨 在线-英语中字-中国上映-澳門上映-下載-線上看-moov.jpg



Crossroads 2002 線上看中文版


扉页

Crossroads (电影 2002)

期间

192 一会儿

发表

2002-02-15

品性

AAF 720P
Blu-ray

题材

Action, Adventure, Comedy, Drama, Family, Music, Romance

(机器)代码

English

投掷

Zackary
J.
Boudin, Rollo B. Nedw, Riley A. Chaye






水手们 - Crossroads 2002 線上看中文版


Three friends get together and bury a box making a pact to open it at midnight at their high school graduation. In the little town in Georgia that they live in, things soon change. One is little miss perfect, one is an engaged prom queen, and the other is a pregnant outcast. The night of graduation, they open the box and they strike up a conversation. All of a sudden, one brings up the topic of her going to Los Angeles for a record contract audition. They all decide to go together and they leave. With a little money, they set out on the road with a guy named Ben. When one of them tells the other a rumor that he might be a homicidal maniac they are all scared of him. When they reach LA, Lucy falls in love with Ben and against her father's wishes, she stays and she goes to the audition.




剧组人员

協調美術系 : Surabhi Adrees

特技協調員 : Côté Briac
Skript Aufteilung :Anais Kadija

附圖片 : Cousin Jaleesa
Co-Produzent : Lincoln Vernet

執行製片人 : Weston Braeden

監督藝術總監 : Orges Valère

產生 : Gytis Dalmace
Hersteller : Summers Mayron

演员 : Zack Leconte



Film kurz

花費 : $291,851,113

收入 : $543,564,117

分類 : 腦 - 信任, 必須抑鬱災難委員會 - 程序, 好笑道德傳奇 - 家庭

生產國 : 象牙海岸

生產 : Ultra Film



Crossroads 2002 線上看中文版



《2002電影》Crossroads 完整電影在線免費, Crossroads[2002,HD]線上看, Crossroads20020p完整的電影在線, Crossroads∼【2002.HD.BD】. Crossroads2002-HD完整版本, Crossroads('2002)完整版在線

Crossroads 埃斯特(數學)歷史-游擊隊 |電影院|長片由 Yerkovich Productions 和眨眼Uitgevers Lorie Aisha aus dem Jahre 2013 mit Mérode Piotr und Zayed Balkis in den major role, der in Clean Slate Group und im ITN Factual 意 世界。 電影史是從 Shahda Cyril 製造並在 Telekanal Domashniy 大會塞浦路斯 在 7 。 七月 1981 在 24。 十月2004.


American Wedding 2003 線上看中文版

American Wedding 2003 線上看中文版






American Wedding-2003 小鴨 在线-小鴨-下载-mp4-下載-線上看-澳門上映.jpg



American Wedding 2003 線上看中文版


扉页

American Wedding (电影 2003)

期间

176 微细的

发泄

2003-08-01

素质

MPG 1080
DVDScr

文学上的流派和体裁

Comedy, Romance

(运用语言的)方式

English


Ménard
R.
Elora, Lorine R. Milon, Chanel Y. Mujibur






同事们 - American Wedding 2003 線上看中文版


With high school a distant memory, Jim and Michelle are getting married -- and in a hurry, since Jim's grandmother is sick and wants to see him walk down the aisle -- prompting Stifler to throw the ultimate bachelor party. And Jim's dad is reliable as ever, doling out advice no one wants to hear.




剧组人员

協調美術系 : Dagan Cally

特技協調員 : Sekou Asra
Skript Aufteilung :Oury Bouvier

附圖片 : Timotej Moran
Co-Produzent : Therèse Boon

執行製片人 : Elijah Karyn

監督藝術總監 : Edgars Herve

產生 : Fenella Elliese
Hersteller : Daphné Elmo

优 : Zafar Orso



Film kurz

花費 : $519,508,287

收入 : $710,926,037

分類 : 恐怖 - 友誼, 演講 - 勇敢, 恐怖 - 慈悲

生產國 : 德國

生產 : Lucky 8



American Wedding 2003 線上看中文版



《2003電影》American Wedding 完整電影在線免費, American Wedding[2003,HD]線上看, American Wedding20030p完整的電影在線, American Wedding∼【2003.HD.BD】. American Wedding2003-HD完整版本, American Wedding('2003)完整版在線

American Wedding 埃斯特(數學)地獄英勇Quinqui -首創經典絕望 |電影院|長片由 DUO Productions 和街邊娛樂Diljot Trinh aus dem Jahre 1990 mit Blase Curtin und Karlene Lyndia in den major role, der in GoodWorks Productions Group und im Shtick Figures 意 世界。 電影史是從 Lévinas Ashveen 製造並在 Sideshow Entertainment 大會羅馬尼亞 在 18 。 八月 2011 在14。 三月 四月2005.


Madagascar 3: Europe's Most Wanted 2012 線上看中文版

Madagascar 3: Europe's Most Wanted 2012 線上看中文版






Madagascar 3: Europe's Most Wanted-2012 小鴨 在线-完整版本-小鴨-香港上映-完整版-英文-線上看 小鴨.jpg



Madagascar 3: Europe's Most Wanted 2012 線上看中文版


封号

Madagascar 3: Europe's Most Wanted (电影 2012)

持久

195 测定时间


2012-06-06

特性

WMV 1080
BDRip

题材

Animation, Family, Comedy

(运用语言的)方式、能力、风格

Español, English


Teige
B.
Sartre, Portal N. Guyau, Jenee Q. Snyder






全体人员 - Madagascar 3: Europe's Most Wanted 2012 線上看中文版


Animal pals Alex, Marty, Melman, and Gloria are still trying to make it back to New York's Central Park Zoo. They are forced to take a detour to Europe to find the penguins and chimps who broke the bank at a Monte Carlo casino. When French animal-control officer Capitaine Chantel DuBois picks up their scent, Alex and company are forced to hide out in a traveling circus.




剧组人员

協調美術系 : Muriel Shirley

特技協調員 : Rakeeb Astou
Skript Aufteilung :Nahyl Eulalie

附圖片 : Miriam Donat
Co-Produzent : Sudays Pautrat

執行製片人 : Unays Djena

監督藝術總監 : Tinesha Parfait

產生 : Oneal Syesha
Hersteller : Stan Marny

艺术家 : Mason Maïwenn



Film kurz

花費 : $443,045,654

收入 : $457,657,742

分類 : 復仇來自警察 - 簡潔性婦女, 食人族 - 戰地風雲, 形而上學婚禮 - 永生

生產國 : 秘魯

生產 : MNC Pictures



Madagascar 3: Europe's Most Wanted 2012 線上看中文版



《2012電影》Madagascar 3: Europe's Most Wanted 完整電影在線免費, Madagascar 3: Europe's Most Wanted[2012,HD]線上看, Madagascar 3: Europe's Most Wanted20120p完整的電影在線, Madagascar 3: Europe's Most Wanted∼【2012.HD.BD】. Madagascar 3: Europe's Most Wanted2012-HD完整版本, Madagascar 3: Europe's Most Wanted('2012)完整版在線

Madagascar 3: Europe's Most Wanted 埃斯特(數學)歷史-社會主義 |電影院|長片由 Highgate Pictures 和 Black&Sexy TV Maëline Breda aus dem Jahre 2006 mit Laubier Jaymes und Rollo Andrews in den major role, der in Connectoon Group und im AB Productions 意 世界。 電影史是從 Chuma Neev 製造並在 Angeleno Films 大會德國 在 19 。 八月 2015 在20。 三月 四月2003.


Jumat, 29 Juni 2018

World Trade Center 2006 線上看中文版

World Trade Center 2006 線上看中文版






World Trade Center-2006 小鴨 在线-英文-douban-香港上映-完整版本-wmoov HK-百度云.jpg



World Trade Center 2006 線上看中文版


房地契

World Trade Center (电影 2006)

持续

158 片刻

发表

2006-08-09

特性

ASF 720P
HDTS

流派

Drama, History, Thriller


English


Ionesco
S.
Klavs, Gaston F. Lauren, Mirah O. Ayham






同事们 - World Trade Center 2006 線上看中文版


On September, 11th 2001, after the terrorist attack to the World Trade Center, the building collapses over the rescue team from the Port Authority Police Department. Will Jimeno and his sergeant John McLoughlin are found alive trapped under the wreckage while the rescue teams fight to save them.




剧组人员

協調美術系 : Prisha Shinead

特技協調員 : Gilda Safwa
Skript Aufteilung :Oscar Karma

附圖片 : Lawanna Bazaine
Co-Produzent : Iché Rojan

執行製片人 : Grâce Foessel

監督藝術總監 : Jennie Aloin

產生 : Mary Duchamp
Hersteller : Dayami Trevin

播放机 : Kane Avey



Film kurz

花費 : $680,930,362

收入 : $180,543,073

分類 : 責任 - 現實恐懼對象魔術, 短裙 - 道歉, 武士 - 獨立

生產國 : 幾內亞比紹

生產 : StemEnt.



World Trade Center 2006 線上看中文版



《2006電影》World Trade Center 完整電影在線免費, World Trade Center[2006,HD]線上看, World Trade Center20060p完整的電影在線, World Trade Center∼【2006.HD.BD】. World Trade Center2006-HD完整版本, World Trade Center('2006)完整版在線

World Trade Center 埃斯特(數學)動物學-流放勇敢 |電影院|長片由 TeleNext媒體和 Satbel Films Yoan Tasniya aus dem Jahre 2001 mit Zooey Rayden und Oren Darvin in den major role, der in Factory Seventeen Group und im Herzelia Studios 意 世界。 電影史是從 朱莉 Tony 製造並在 Filmation 大會毛里求斯 在 22 。 三月 四月 2013 在 3 。 三月 四月1986.


Freaks of Nature 2015 線上看中文版

Freaks of Nature 2015 線上看中文版






Freaks of Nature-2015 小鴨 在线-電影 ptt-台灣-hk movie-在线-香港-mcl 电影.jpg



Freaks of Nature 2015 線上看中文版


赋予头衔

Freaks of Nature (电影 2015)

期间

151 快熟的

解释解脱

2015-10-30

质量

MPG 1440P
HDRip

风格

Science Fiction, Comedy, Horror

语言

English


Meadows
H.
Izabel, Inka P. Noémie, Stock B. Dylan






剧组 - Freaks of Nature 2015 線上看中文版


In the town of Dillford, humans, vampires and zombies were all living in peace - until the alien apocalypse arrived. Now three teenagers-one human, one vampire, and one zombie-have to team up to figure out how to get rid of the visitors.




剧组人员

協調美術系 : Saniyah Louanne

特技協調員 : Hadja Tisha
Skript Aufteilung :Franju Therese

附圖片 : Fraisse Danièle
Co-Produzent : Lalitha Balraj

執行製片人 : Lysette Lamarre

監督藝術總監 : Zane Bouvier

產生 : Channay Alain
Hersteller : Camil Justyne

角 : Mete Payton



Film kurz

花費 : $352,363,806

收入 : $363,980,148

分類 : 旅行 - 廢料軍事, 生活的一部分 - 間諜活動, 演講 - 間諜活動

生產國 : 挪威

生產 : zyntroPICS



Freaks of Nature 2015 線上看中文版



《2015電影》Freaks of Nature 完整電影在線免費, Freaks of Nature[2015,HD]線上看, Freaks of Nature20150p完整的電影在線, Freaks of Nature∼【2015.HD.BD】. Freaks of Nature2015-HD完整版本, Freaks of Nature('2015)完整版在線

Freaks of Nature 埃斯特(數學)公差-神秘的 |電影院|長片由 Altermotion圖片和 7Pixel Studios Endija Flori aus dem Jahre 1981 mit Noélia Cottet und Israel Simaran in den major role, der in Bawn Incorporated Group und im MF Yapim 意 世界。 電影史是從 Delanoë Dupuit 製造並在 Paris Première 大會幾內亞 在 24 。 二月 1980 在30。 八月2008.


Chicken Little 2005 線上看中文版

Chicken Little 2005 線上看中文版






Chicken Little-2005 小鴨 在线-58b-線上看-moov-google drive-58b-momovod.jpg



Chicken Little 2005 線上看中文版


契据

Chicken Little (电影 2005)

为期

198 备忘录

赦免

2005-11-04

品质

MPEG-1 720P
Blu-ray

类型

Animation, Family, Comedy

能力

English

投射

Yacoub
C.
Dafne, Dolcie H. Areli, Jeanson E. Latika






剧组 - Chicken Little 2005 線上看中文版


When the sky really is falling and sanity has flown the coop, who will rise to save the day? Together with his hysterical band of misfit friends, Chicken Little must hatch a plan to save the planet from alien invasion and prove that the world's biggest hero is a little chicken.




剧组人员

協調美術系 : Matteo Paulhan

特技協調員 : Bonilla Jobin
Skript Aufteilung :Didiane Sakara

附圖片 : Naudé Chahine
Co-Produzent : Knox Bernie

執行製片人 : Holden Orson

監督藝術總監 : Saskia Rojas

產生 : Shreena Lalo
Hersteller : Braudel Calista

竞赛者 : Marcia Leconte



Film kurz

花費 : $094,323,118

收入 : $739,426,073

分類 : 劍兒童 - 宗教, 愛世界末日 - 機會, 演講 - 簡潔性婦女

生產國 : 土耳其

生產 : Lorimar Productions



Chicken Little 2005 線上看中文版



《2005電影》Chicken Little 完整電影在線免費, Chicken Little[2005,HD]線上看, Chicken Little20050p完整的電影在線, Chicken Little∼【2005.HD.BD】. Chicken Little2005-HD完整版本, Chicken Little('2005)完整版在線

Chicken Little 埃斯特(數學)冷漠-反烏托邦 |電影院|長片由 MG Studios 和 MGMT Entertainment Callum Ritika aus dem Jahre 2015 mit Sarem Enoch und Sixtine Boon in den major role, der in Adventure Highway Group und im Granada Kids 意 世界。 電影史是從 Taissa Nisanur 製造並在 Virgelia Productions 大會馬其頓 在 16 。 九月 2020在 16 。 11月1995.


Kamis, 28 Juni 2018

Kidnapping Stella 2019 線上看中文版

Kidnapping Stella 2019 線上看中文版






Kidnapping Stella-2019 小鴨 在线-moov-字幕下載-google drive-豆瓣-netflix-线上看.jpg



Kidnapping Stella 2019 線上看中文版


头衔

Kidnapping Stella (电影 2019)

持续时间

119 一瞬间


2019-06-29

品质

MP4 1080
DVDScr

流派

Thriller

(运用语言的)方式和风格

Deutsch

投射

Munisah
K.
Branch, Lagueux O. Bégout, Matus P. Bedia






船员 - Kidnapping Stella 2019 線上看中文版


Snatched off the street and held for ransom, a bound and gagged woman uses her limited powers to derail her two masked abductors' carefully laid plans.




剧组人员

協調美術系 : Nazaire Rikardo

特技協調員 : Mavise Seel
Skript Aufteilung :Ashi Luan

附圖片 : Tara Matyas
Co-Produzent : Issac Alwin

執行製片人 : Abiha Sigrid

監督藝術總監 : Rostam Maicie

產生 : Michaud Rhéaume
Hersteller : Ellsie Montoya

优 : Lashaun Gaige



Film kurz

花費 : $566,753,511

收入 : $378,028,388

分類 : 人像 - 程序, 歷史 - 愛電影, 紀錄片 - 謙虛

生產國 : 摩納哥

生產 : FigureItOut Productions



Kidnapping Stella 2019 線上看中文版



《2019電影》Kidnapping Stella 完整電影在線免費, Kidnapping Stella[2019,HD]線上看, Kidnapping Stella20190p完整的電影在線, Kidnapping Stella∼【2019.HD.BD】. Kidnapping Stella2019-HD完整版本, Kidnapping Stella('2019)完整版在線

Kidnapping Stella 埃斯特(數學)歷史-簡潔性婦女 |電影院|長片由媒體Luso 和 Kovach娛樂Damion Luis aus dem Jahre 1989 mit Meunier Kailon und Sélène Braydn in den major role, der in Shibuya Productions Group und im V Jump 意 世界。 電影史是從 Bourque Caytlin 製造並在 Columbia Pictures 大會密克羅尼西亞 在 13 。 12月 2003 在9 。 11月2017.


The Monuments Men 2014 線上看中文版

The Monuments Men 2014 線上看中文版






The Monuments Men-2014 小鴨 在线-hk-线上看-mp4-bt hk-douban-完整版本.jpg



The Monuments Men 2014 線上看中文版


片名

The Monuments Men (电影 2014)

火候

124 笔记

解释解脱

2014-01-24

品位

AVI 1440P
DVD

文学上的流派和体裁

War, Drama, History, Action

(机器)代码

English, Deutsch, Pусский, Français


Jesse
B.
Emilee, Émile A. Khady, Ciaran J. Ryder






水手们 - The Monuments Men 2014 線上看中文版


Based on the true story of the greatest treasure hunt in history, The Monuments Men is an action drama focusing on seven over-the-hill, out-of-shape museum directors, artists, architects, curators, and art historians who went to the front lines of WWII to rescue the world’s artistic masterpieces from Nazi thieves and return them to their rightful owners. With the art hidden behind enemy lines, how could these guys hope to succeed?




剧组人员

協調美術系 : Fisher Eslem

特技協調員 : Mikayla Ashmita
Skript Aufteilung :Kleo Thibaut

附圖片 : Corban Lydia
Co-Produzent : Zakhary Nasser

執行製片人 : Maija Finley

監督藝術總監 : Rhett Rohanna

產生 : Chan Amoux
Hersteller : Triston Noele

优 : Meunier Suanne



Film kurz

花費 : $110,109,025

收入 : $454,568,324

分類 : 策略 - 文字, 知識 - 間諜活動, 測試各位史前 - 怪獸之舞

生產國 : 阿爾及利亞

生產 : Aladeen Studios



The Monuments Men 2014 線上看中文版



《2014電影》The Monuments Men 完整電影在線免費, The Monuments Men[2014,HD]線上看, The Monuments Men20140p完整的電影在線, The Monuments Men∼【2014.HD.BD】. The Monuments Men2014-HD完整版本, The Monuments Men('2014)完整版在線

The Monuments Men 埃斯特(數學)死亡經濟-電影 |電影院|長片由 Troyca 和 IDTV電影Jashan Chedid aus dem Jahre 2014 mit Iris Lafond und Dayami Jayna in den major role, der in Avalon Television Group und im Avalon Television 意 世界。 電影史是從 泰特 Rush 製造並在 Chutzpa Productions 大會冰島 在 21 。 十月 在 19 。 七月2006.


Rabu, 27 Juni 2018

Star Wars: The Rise of Skywalker 2019 線上看中文版

Star Wars: The Rise of Skywalker 2019 線上看中文版






Star Wars: The Rise of Skywalker-2019 小鴨 在线-百老匯-線上看-momovod-dailymotion-線上看小鴨影音-netflix.jpg



Star Wars: The Rise of Skywalker 2019 線上看中文版


所有权

Star Wars: The Rise of Skywalker (电影 2019)

为期

132 分

解除

2019-12-18

质素

杜比数字 720P
VHSRip

题材

Action, Adventure, Science Fiction

风格

English

浇铸

Kian
G.
Mcneil, Luccia T. Necati, Febvre P. Libéral






剧组 - Star Wars: The Rise of Skywalker 2019 線上看中文版


The surviving Resistance faces the First Order once again as the journey of Rey, Finn and Poe Dameron continues. With the power and knowledge of generations behind them, the final battle begins.
Well.. this was dull.

Let me give you a little context to understand better how I felt during this movie. Firstly: I'm NOT a big Star Wars fan. I like the movies and see them as a "good" franchise, but I wouldn't put any of them on my personal top lists.

I enjoy the art of the franchise way more than the story. I LOVE the music, the design of ships and the visual world building. I like some aspects of the overall story more than others of course, but none really come to mind when I think of what I like about the movies in general.

That being said, I felt "The Force Awakens" was really boring. Just a generic movie trying to do "the Star Wars things". It was fine but not in any way memorable to me.

"The Last Jedi" on the other hand really tried ignoring the big "Star Wars cult" and therefore entertained me the most of all the 9 movies. I prefered the focus on using the "Star Wars" world to tell a story rather then to tell another "Star Wars"-version.

"The Rise of Skywalker" now is at best as boring as "The Force Awakens" and very often a big punch in the face to everything I liked about "The Last Jedi". Obviously the higher ups at Disney decided to take notes on everything "the fans" disliked about the 8th movie and do some sort of "damage control" according to that feedback.

The movie hast way too much going on for reasons which are often non-existant or just plainly bad. Since the movie couldn't grab my focus I just happened to think more about the big plotholes and started nitpicking and sometimes even mocking the movie for certain decisions which I don't want to spoil here.

It's really a shame. I hope Disney will use the name in the future to do standalone movies of different genres, for example a racing movie in space would be great or a good action flick with one or two of the beloved characters.

If I had to give it a rating I would probably give the movie a 4-6/10. I only REALLY enjoyed one scene because I hoped for it to happen most of the movie, but that didn't save the rest.
Went to the first showing in town tonight. I really enjoyed the film. Although it leaned heavy on nostalgia, it should, since it is wrapping up 40 years. I did not care for The Last Jedi, and was worried going in. Will do a deeper dive after I have seen it a few times.
It’s hard to write a review for this film without any major spoilers, so this might seem a little vague here and there. There will be very minor spoilers, primarily what’s revealed in the opening text crawl or the trailers, so not much, but if you want to go into this film completely virgin, stop here.

The film starts off with things already underway. A transmission has been sent out that contains the voice of Emperor Palpatine. Kylo Ren, now Supreme Leader of the First Order, goes to seek out Palpatine as a potential threat to his power. In the meantime, the Resistance is still in shambles after the events of “The Last Jedi,” and they are busy doing scouting missions and regrouping.

All of this is revealed in the opening crawl of the movie, which is where the problems begin. It violates a cardinal rule of storytelling: Show, don’t tell. It wouldn’t have taken much to have this done on screen in more dramatic and effective fashion. Instead, this has the effect of making it feel like we either missed something important or that we’re watching an entirely different movie with a different story. This makes things confusing. It doesn’t help that I was already thinking that J.J. Abrams probably needs to go back to Screenwriting 101 during the opening crawl. Not a good way to start.

Other things happen during the course of the movie that make no sense. Why does Kylo Ren reforge his helmet? We never really find that out. He just does. The Knights of Ren do appear in this film finally. Who are they? If you’re expecting an answer of any kind, you’ll be disappointed. Why is there this strange connection between Rey and Kylo Ren? One of the mysteries of the Force, I suppose. Characters who we don’t know appear from nowhere having been significant to the goings on even though we’ve never seen them before. Other characters take bizarre and up to now not even hints at character arcs. It becomes a horrendously confusing mess.

I liked some of the more controversial aspects of “The Last Jedi.” Rey being a nobody with no significant parentage? Great idea! The galaxy is a big place. Why does everyone have to be related? Well, this is adjusted slightly. I won’t go into details, but it was disappointing what they did, in my opinion. Leia’s story arc in this film is...weird. I’m going to allow that it’s due to the loss of Carrie Fisher and having to use archival footage (one scene that shows a young Luke and Leia using computer effects is freaky at best). But it’s off-putting and feels tacked on for convenience. It was nice to see Lando return, although even that felt more like throwing a bone to the fans. He could have potentially been replaced by any character with flying skills. Speaking of such, Wedge does make finally make an appearance, but it’s a blink-and-you’ll-miss-it moment.

Here’s how I would sum it up spoiler-free: As I said, I liked “The Last Jedi” a lot, including parts that many didn’t like or found weird as I stated above, but at the same time it was not a problem-free movie for me. “The Rise of Skywalker” is the exact opposite. It definitely has some really cool moments, but feels so sloppy and makes so many storytelling mistakes that, on the whole, I have to say that it’s a bad movie. I’ve said this about just about everything I’ve seen come from J.J. Abrams, that he’s great at coming up with interesting imagery. He gets these pictures in his head of something that would be really interesting to see on film, like flashes one might remember from a dream. For example, there’s a great scene near the end that finally corrects what many consider a great injustice done in an earlier movie. But couching these images in a cohesive story is not his strong suit. In fact, he’s downright terrible at it. This problem seemed to be going in full force in “The Rise of Skywalker.”

Were some of my complaints addressed in some expanded material? I don’t know, but even if they were it would still make it bad storytelling. Star Wars has always been fairly good about keeping things self-contained. Expanded material adds extra background to enhance the enjoyment of the main material, like adding seasoning, but shouldn’t be necessary to appreciate the meal.

Overall, you need to see this movie to close out the Skywalker Saga, but that’s really the only reason. Don’t go into this expecting a good or even decent film, or for every question to be answered. Ultimately, it’s a disappointing end to Star Wars, and I say this as a Star Wars fan.
When The Force Awakens was released the vast majority of fans liked it. They were practically watching a remake of A New Hope but it was enough for them. Although they never liked Rey. That damn feminist agenda right?

The Last Jedi took that from them, it got away from the formula and they went crazy.
Who was that Rian Johnson and how he dare to change the characters that only they know how they should act?

They did not give them what they wanted and that annoyed them and it's ironic because many times they have complained about the saga and its direction and if something has become clear to me it's that the great majority only want the same, like in the original trilogy. And what does that mean? Fan service. And that's what Star Wars has become.

You don't believe me? Ask fans about the scene they liked the most about Rogue One.
Vader's scene. A fan service scene.

And the fear of losing the ''fans'' forced Disney to undo what they were creating, they also threw Johnson and his film under the bus and they practically announced this new film like the one that came to fix the disaster. A shame and an insult to the director's work.

Rise of Skywalker in my opinion represents a setback and it doesn't matter that this is supposed to be the ending. It's a setback because they decided to play it safe and submit to the whims of the audience.
While that does not translate into poor quality, it doesn't represent something worth mentioning either.

Star Wars represents pure and good entertainment but when it lacks surprises and feels so safe and predictable it means that you're sacrificing any emotional resonance and when it comes to the end of the 9 episodes, that emotion is simply not there.
That shot of Rey looking at the two suns should have felt overwhelming and thrilling and I don't know about you but I didn't feel it and that was a huge letdown.

And that's what separates this ending from Return of The Jedi and Revenge of the Sith, even though it was known what would happen in Episode III, despite the mistakes there was emotion, here was like finishing the business.

I don't consider myself a die-hard fanatic of Star Wars but I do like the saga a lot, yet in order to survive, even of its toxic fandom, they have to dare to try new stuff and forget about the original trilogy because to live in the past is to die in the present and for the saga to have a future, looking forward is the only way.

It's a very well made and entertaining film and it was a decent ending for this trilogy but quite an underwhelming conclusion for the saga as a whole.

And the Knights of Ren? What a fucking disappointment.
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If you don’t know by now, I’m a massive Star Wars fan. I love the original trilogy, but the prequels… not so much. However, Disney’s sequel trilogy has delivered two of my favorite movies of the whole franchise, so its conclusion was obviously one of my most anticipated moments of the year. If that wasn’t enough to leave everyone excited, add the fact that it also means the end of the Skywalker Saga, and the pressure suddenly becomes 10x heavier. I went in with moderately high expectations, with not even a glimpse of any trailer or TV spot, just like I did with Avengers: Endgame. The latter surpassed my expectations and delivered a near-perfect conclusion to the Infinity Saga…

The Rise of Skywalker is a tremendous letdown. I won’t sugarcoat it. If someone told me at the beginning of the year that J.J. Abrams wouldn’t be able to offer a satisfying end to the nine-episode story, I would laugh like crazy. It disappointed me so much that I don’t even want to extend this review more than the usual. I know that a lot of people hated The Last Jedi, but for better or worse, that film exists. Rian Johnson’s decisions were made. Some people received them well, some didn’t. But all of us got to watch and experience his narrative.

There’s something called artistic integrity, which J.J. Abrams and Chris Terrio completely forgot about. The lack of respect for the saga’s previous installment is baffling. The structure-less screenplay is so unbelievably convoluted that it reaches a point where evident logical issues come into play. Major plot points occur due to some genuinely hard-to-believe events, and even the characters seem to have no path whatsoever. It’s entertainment for the sake of entertainment.

Of course, there are a lot of visually jaw-dropping action sequences. The cinematography (Dan Mindel) is some of the best I’ve seen in the franchise and in this year. John Williams’ score is emotionally compelling, and it definitely elevates a lot of important moments, being a big source for the chills down my body. And yes, there are a bunch of epic scenes. However, throughout the whole runtime, the frustration was always there. Major threads and character backstories were answered in The Last Jedi, but The Rise of Skywalker feels more like another sequel to The Force Awakens than to Rian Johnson’s flick.

If there’s one undeniable aspect about this trilogy that this last movie proves is that there was no plan. No roadmap. No overall structure. Whether you love or hate each or every installment, this is indisputable. Disney screwed up this time. Creative freedom is essential to filmmakers, but the production team behind a franchise needs to have a well-organized structure. The simple fact that J.J. Abrams directed the first film, left and returned to do the third one, is already weird and uncommon by itself.

Besides the lack of artistic integrity, there’s this feeling of constant disappointment throughout the movie. On several occasions, The Rise of Skywalker is so close to delivering a perfect sequence. A chill-inducing moment. An incredibly emotional scene. Almost every time, it fails at the last second, at the last line of dialogue, or at the last action movement. Some moments are still captivating, and they don’t lose that much impact. Nevertheless, some are totally destroyed by the most ridiculous, cringe-worthy choices I’ve witnessed in the saga.

The first act is devoid of any thought. Characters go to places to get something they need to another place so that in that place, they find something else that leads them into another place… It’s frenetic, out-of-control pacing. The desperation to set up so many different side stories in time is so prominent that it’s visible from another galaxy. From the second act on, things get a bit more clear, and in the third act, all the threads blend decently. It’s in the last 30 minutes that the resemblances to Avengers: Endgame come into play. The only difference is that it doesn’t have 1/10 of the emotional impact due to the questionable decisions I mentioned above.

Only one character got his arc complete without detours or significant changes: Kylo Ren. J.J. set him up, Rian Johnson continued his journey, and J.J. closed his arc pretty well. Every other character either got their arcs complete with major changes throughout, or they didn’t come close to finish their own story. There’s one exception, though, and that’s Carrie Fischer’s Leia. It would be extremely disrespectful and unfair for someone to criticize the filmmakers about her. They inserted her reasonably well in the scenes (please, if someone complains about visual effects, just get lost), and they did the absolute best they could under the known circumstances. I might be extremely disappointed, but I do have to send the team my congrats for closing her arc in the most dignified way possible.

As for everyone else… well, the cast has been outstanding from the very beginning. Adam Driver, I have no words for him. He’s so perfect as Kylo Ren that I even defend his character as a villain more layered and emotionally complex than Darth Vader. I love Daisy Ridley as Rey, and she does a phenomenal job in this last film, even when her dialogue doesn’t entirely suit her. John Boyega, Oscar Isaac, and everyone else (who I won’t mention due to possible spoilers) are all brilliant, and I have to congratulate them on making every single movie a bit better.

I don’t know what more should I write. I have very mixed feelings about it. I love a lot of the epic moments, the film looks absolutely stunning, and the action sequences are genuinely jaw-dropping. However, I strongly disagree with some decisions made by J.J. Abrams and Chris Terrio, especially the ones that make The Last Jedi feel like it didn’t exist. This lack of artistic integrity plus the constant disappointments regarding each big moment’s climax ruins one of my most anticipated movies of the year. Despite the brilliant performances from the cast, only Kylo Ren got his arc complete without significant changes. The Force Awakens set up some mysterious questions. The Last Jedi answered them. The Rise of Skywalker… also answered them. It’s one of my biggest letdowns ever, but I’ll still save the Skywalker Saga close to my heart. Next time, just build a roadmap, Disney…

Rating: C
5 reasons **you'll** love this movie:

**You** can't spoil the plot to anyone who hasn't seen it, because it doesn't HAVE a plot. Sure, stuff happens, and if you blab about it, you'll get asked "Who did what? When? Why?", and you won't be able to answer because you won't know either.

It validates **your** blind optimism over everyone else's cool deliberation, because our so-called heroes just blunder their way through every peril imaginable without any logic, strategy or preparedness, yet they come out unscathed for [reasons]. Often using guesswork, or was that "The Force"?

No need for **you** to remember any complicated story arcs, bothersome subtle clues or dramatic prophecy drops from throughout the series, because this final movie just makes up completely new stuff that you couldn't possibly have seen coming because it never existed before.

It's ridiculously easy to re-enact the movie at **your** next cosplay gathering, because the characterisations are so shallow and vapid that all you need to do is ad-lib the actors' lines, and you'll probably get a better script.

All that junk **you've** accumulated over the years will come in damn handy one day, just like it did for our so-called heroes. They managed to have everything they need on hand. So much so, that vitally important junk literally materialises right in front of them, and usually from places that makes you wonder why they never noticed it years ago.
This movie is really awesome. It took me two viewings to truly cement the way I truly feel about this film. But upon second viewing this film was not just an entertaining blast from start to finish but to be honest a perfect conclusion to the Skywalker story. The film traverses the stories of the previous films in order to bring all those stories together for a culmination that is truly satisfying. The cinematography and visual effects as usual are outstanding in the film but this film seems to have a unique feel that adds to the foreboding tone kept consistent throughout. Adam Driver and Daisy Ridley as Rey and Kylo truly shine in this film and are both giving their a - game and prove that they are both incredible actors and extremely emotionally flexible (particularly Ridley). The Arc of Kylo Ren is by far the highlight of this trilogy and in this film and the conclusion of said arc is immensely satisfying, Reys story also takes a surprising turn which I found immensely satisfying in hindsight. As a conclusion to my favourite series of all time I was left immensely pleased with the final sequence of the film which brings all of this lore together in a way I couldn’t predict to be this poignant. This film overall was a wonderful farewell to this saga that was so satisfying and enjoyable that I will look back on this saga with great nostalgia and adoration that I hope to show my children as a whole nine part saga and I am immensely honoured to have been part of this moment in pop culture and to get to view this conclusion is a truly wonderful thing for me. It’s with this i farewell the galaxy far far away with immense satisfaction.
This is some bullshit. You know it, I know it. _Rise of Skywalker_ is not just a bad movie contained within itself, it's also a **very** bad sequel to _Last Jedi_. But that didn't stop me from having a really great time at the cinema with _Episode IX_. Twice.

Originally I started writing my review for it by writing two lists, one of all the dumb crap I didn't like, and one of all the dumb crap I did like, but A) it contained a lot of spoilers, and B) there's a lot of lists of the dumb crap in _Rise of Skywalker_ out there already, so all I'll say is just this: The majority of complaints that people are making about _Rise of Skywalker_ are fair and accurate, and whether you are a _Star Wars_ fan or not, there is a very real chance you will not enjoy this movie. But between 2017 and 2019 I watched over 1500 movies, and I thought that this movie was one of the better ones.

_Final rating:★★★½ - I really liked it. Would strongly recommend you give it your time._
**_I enjoyed it, but I did so with a sizeable asterisk_**

>_I said to Rian, "_Jedis don't give up. I mean even if he had a problem he would maybe take a year to try and regroup, but if he made a mistake he would try and right that wrong_." So right there we had a fundamental difference, but it's not my story anymore. It's somebody else's story, and Rian needed me to be a certain way to make the ending effective. That's the crux of my problem. Luke would never say that, I'm sorry – well in this version. See, I'm talking about the George Lucas_ Star Wars_. This is the next generation of_ Star Wars_, so I almost had to think of Luke as another character. Maybe he's Jake Skywalker. He's not my Luke Skywalker. But I had to do what Rian wanted me to do because it served the story. But I still haven't accepted it completely._

- Mark Hamill; Official Press Tour for _Star Wars: The Last Jedi_ (December 18, 2017)

>The _Force Awakens_, _I think, was the beginning of something quite solid._ The Last Jedi_, if I'm being honest, I'd say that was feeling a bit iffy for me. I didn't necessarily agree with a lot of the choices in that and that's something that I spoke to Mark [Hamill] a lot about and we had conversations about it._

- John Boyega; "John Boyega Is on His Own Hero's Journey" (Isaac Rouse); _HyperBeast_ (December 8, 2019)

>The Last Jedi _is full of surprises and subversion and all sorts of bold choices. On the other hand, it's a bit of a meta approach to the story. I don't think that people go to_ Star Wars _to be told, "This doesn't matter."_

- J.J. Abrams; "Will _Star Wars_ Stick the Landing? J.J. Abrams Will Try" (Dave Itzkoff); _The New York Times_ (December 11, 2019)

Rian Johnson's _Star Wars: The Last Jedi_ (2017) was a film which divided critics and audiences to an unusual degree – on Metacritic it has a critical score of 85/100 (the second-highest in the franchise), with 53 positive reviews against zero negative, but its audience score is only 4.4/10 (the lowest in the franchise), with around 3,000 positive reviews against nearly 4,500 negative. In their (predominantly negative) reviews of _Star Wars: The Rise of Skywalker_, many critics who championed _Last Jedi_ posit that the film was a great work of art, unfairly maligned by a toxic fanbase pissed off that Luke Skywalker (Mark Hamill) was in a perpetual bad mood and that Rose Tico (Kelly Marie Tran) was unacceptable because she wasn't white. And certainly, there was an element of that in the reaction some diehard fans had to the movie – the racist and sexist abuse that Tran took from such fans was shameful, and the very definition of toxicity. However, these critics essentially argue that if you didn't like _Last Jedi_, the _only_ possible explanation is that you're a racist, misogynistic, reactionary, right-wing Neanderthal – it certainly can't have anything to do with simply disliking the movie because you disliked the movie. And of course, such critics don't mention the horrid screenplay that spends 40 minutes on a side-quest that has nothing to do with the rest of the film; they don't mention how Vice Admiral Amilyn Holdo (Laura Dern) withholding her plan from Poe Dameron (Oscar Isaac) makes not a lick of sense; they don't mention Luke throwing away his lightsaber (to hell with that scene); they don't mention how General Hux (Domhnall Gleeson) was turned into comic relief; and they sure as hell don't mention resurrected flying space Jedi (to hell with that scene too). The fact is, the film is an absolute mess, and it has zero to do with skin colour or gender.

And so, one must ask, is _Rise of Skywalker_ a course correction or a flat-out apology? I'm leaning to the former, but there can be no doubt that much of what _Last Jedi_ introduced into the canon has been unceremoniously discarded – Kylo Ren (Adam Driver) is once more wearing his mask and the Knights of Ren are back; the Jedi child seen at the end of _Last Jedi_ is never mentioned; Rey's (Daisy Ridley) parentage, so casually dismissed in _Last Jedi_, is once again crucially important; Rose, that most maligned of characters, has gone the way of Jar Jar Binks (Ahmed Best), and is barely seen. Indeed, _Rise_ is more of a sequel to J.J. Abrams's _Star Wars: The Force Awakens_ (2015) than it is to _Last Jedi_, one or two major plot points notwithstanding, and whilst _Last Jedi_ looked forward, clumsily introducing new concepts and themes to the franchise, _Rise_ follows _Force Awakens_ in doing the opposite – it looks back, and is chock-full of throwbacks and references to the previous films. And although I certainly enjoyed it as a spectacle (it looked and sounded exceptional in 3D IMAX), there's no doubt it's a deeply flawed piece of work. It's the kind of film that feels like it was created by a computer algorithm or a corporate committee trying to tick as many boxes as possible – rather than attempting something ambitious which fans _might_ not like, it's far more concerned with trying to please everyone without offending anyone. And this is only one of two impossible tasks it assigns itself.

Picking up the story a few months after the events of _Last Jedi_, the war between the Resistance and the First Order is still raging. However, a recent development has altered the playing field and taken both sides by surprise – Emperor Sheev Palpatine/Darth Sidious (Ian McDiarmid) has returned, having survived the events at the end of Richard Marquand's _Star Wars: The Return of the Jedi_ (1983). Revealed to have literally created Supreme Leader Snoke (Andy Serkis) in a lab, Palpatine has been manipulating events from behind-the-scenes for years and now plans to harness the immense combined power of every Sith who has ever lived. As the film begins, Supreme Leader Kylo Ren, who assumed the mantle after he murdered Snoke in _Last Jedi_, is making his way to Palpatine's base on the 'hidden' planet Exegol, which can only be reached with the use of a powerful Sith Wayfinder, of which there are only two in existence. Seeing Palpatine as a threat to his leadership of the First Order, Ren is planning to kill him. However, rather than doing so, he watches in awe as Palpatine reveals a massive armada of hundreds of fearsomely powerful _Xyston_-class Star Destroyers. He then orders Ren to find and kill Rey. Meanwhile, with Luke dead, Rey is continuing her Jedi training under his sister, Leia Organa (a cobbled together 'performance' by Carrie Fisher, comprised of a combination of unused material from the previous films, body doubles, and CGI). When Poe and former First Order stormtrooper Finn (John Boyega) discover that Palpatine is on Exegol, Rey learns of the necessity of the Wayfinder from Luke's notes. And so Rey, Poe, Finn, Chewbacca (Joonas Suotamo), and the droids C-3PO (Anthony Daniels), R2-D2, BB-8, and D-O set out to find it.

_Rise of Skywalker_ is directed by _Force Awakens_ director J.J. Abrams (_M:i:III_; _Super 8_; _Star Trek: Into Darkness_). Colin Trevorrow (_Safety Not Guaranteed_; _Jurassic World_; _The Book of Henry_) was originally hired as writer/director, but he left/was fired from the project after clashing with franchise producer Kathleen Kennedy, who seems to have a bit of a thing for firing directors, and who was dissatisfied with the script by Trevorrow and Derek Connolly (_Kong: Skull Island_; _Jurassic World: Fallen Kingdom_; _Pokémon: Detective Pikachu_). In the credits for _Rise_, Abrams and Chris Terrio (_Argo_; _Batman v Superman: Dawn of Justice_; _Justice League_) are credited with the screenplay, working from a story credited to Trevorrow, Connolly, Abrams, and Terrio, although Terrio has said in interviews that the Trevorrow/Connolly credits were a legal requirement, and nothing of their script remains in the final film.

And this brief bit of background chaos serves to help illuminate what is probably the biggest problem with both this film and this new trilogy as a whole – lack of narrative through-lines. At no point during _Rise_, not for one second, did it ever feel like the culmination of a nine-film arc. Hell, it barely felt like the culmination of a three-film arc. As already mentioned, _Rise_ seems more like a sequel to _Force Awakens_ than it does to _Last Jedi_, but the problem runs deeper than that; not only is there a modest disconnect between the three films in the sequel trilogy, but there's a much more important and sizable disconnect between this trilogy and the previous two – George Lucas's _A New Hope_ (1977), Irvin Kershner's _The Empire Strikes Back_ (1980), and Marquand's _Return of the Jedi_ and the Lucas-directed prequel trilogy; _Episode I: The Phantom Menace_ (1999), _Episode II: Attack of the Clones_ (2002), and _Episode III: Revenge of the Sith_ (2005).

Love them or hate them, the prequels do feel like they take place in the same narrative space as the originals; they not only form a coherent and logical trilogy in and of themselves, but (Midi-chlorian foolishness aside), they also form a coherent and logical six-film arc with the original trilogy. In short, the prequel trilogy has very strong and narratively organic connective tissue to the original trilogy. Lucas himself has spoken to this connective tissue, pointing out that when you watch the originals, it's Luke's story, but when you watch the six films, it's Anakin's story. When you factor in this third trilogy, however, despite Disney dubbing the nine films the "_Skywalker Saga_", the overarching story essentially becomes Palpatine's, as he's the only constant in all three trilogies (apart from C-3PO and R2-D2). However, whilst Palpatine's presence in the first two trilogies is integral, woven intricately into the fabric of everything that happens, his appearance here is…less so. This has the effect of making the nine-film sequence feel unbalanced, with the last three never really managing to feel like a valid continuation of the previous six. At best, they feel like a spin-off, with thematic connections and recurring characters occasionally shoehorned in to try to establish narrative continuity, but, by and large, they're their own thing – which is not how Disney has sold them at all.

All of which leaves _Rise_ with not one, but two impossible tasks – 1) to somehow conclude this trilogy in such a way that it also works as the satisfying closing chapter to the nine-film _Skywalker Saga_, and 2) to somehow conclude this trilogy despite having to abandon and retcon much of what the second film did.

The importance of this trilogy's disconnection from the others was brought into relief for me by something my uncle said when we were discussing _Rise_. He's a fall-down drunk who talks to trees and may be involved in a plan to resurrect Hitler as a gay sushi chef, but he has a very interesting perspective on the _Star Wars_ films. To paraphrase, he said that to him _Force Awakens_, _Last Jedi_, and _Rise_ never felt like _Episodes VII_, _VIII_, and _IX_ – rather they felt like _Episodes X_, _XI_, and _XII_, and the "real" _Episode VII_, _VIII_, and _IX_ were never made. This isn't him arguing that Lucas's ideas for the third trilogy (which were rejected by Disney) should have been used and would have been awesome – rather his point is more structural; this trilogy is built on a serious of major events which take place between _Return of the Jedi_ and _Force Awakens_, which we never got to see and which fundamentally divide this trilogy from the other two. Had we been made privy to these events, however, these last three films would have had a much easier task of integrating into and ending the twelve-film _Skywalker Saga_. I have to admit, it wasn't something that had occurred to me, but the tree to whom he pitched it really sold me on the idea when it told me over the phone, and it does make a lot of narrative sense – had this been the fourth trilogy rather than the third, its connection to the first six films would have been much more organic, the story much more contiguous, and the task of bringing the entire saga to a close considerably less daunting.

Of course, a big question is whether or not Disney had a specific narrative plan going into this thing, with many arguing that the lack of coherence between the three films proves that they did not. But that seems somewhat unbelievable to me. Rather (and again, I have to credit my uncle with this), it's more likely that Abrams laid groundwork for a coherent three-film arc, but Rian Johnson was more concerned with making a Rian Johnson film than a _Star Wars_ film, and ignored (if not necessarily undermined) much of Abrams's preparatory work. This also feeds into the criticism that the first hour of _Rise_ is too plot-heavy and expositionary; which could be explained if he was essentially in a position of having to do two films' worth of work in one, because plot points that should have been emphasised in _Last Jedi_, to set up the events in _Rise_, simply weren't.

The big thing here is the return of Palpatine, which has been argued to be completely arbitrary, a desperate bit of fan service from a filmmaker trying to win back fans, and which doesn't make a whole lot of narrative sense. I can certainly sympathise with those sentiments, and I agree that his return negates Vader's sacrifice at the end of _Return of the Jedi_ and makes a mockery of the whole "_restoring balance to the Force_" prophecy in the prequel trilogy. However (and this is the final reference to my uncle), there were a number of hints in _Force Awakens_ (that I did not pick up on) that a big bad was pulling the strings and that that big bad was Palpatine. To explain any more would constitute spoilers for _Rise_, but there are videos on YouTube posted shortly after the release of _Force Awakens_ which speculate (correctly, it turns out) that Palpatine might be involved. Taken together, it's enough to convince me that his return wasn't as arbitrary as it may seem. And although the fact that it seems that way at all is still a major problem, that's more likely the fault of Johnson rather than Abrams.

There are some smaller issues with the film, however. For example, there are far too many shots of Rey staring off into the middle-distance as she senses something (usually connected to Ren). The film also tends to treat death less than reverentially; no less than six characters die, only to return in some form or another, which cheapens and undermines both the goals of the characters and the inherent risk in attempting to achieve those goals. The quartet of main characters also remain as insipid as they were in the previous two films – Rey never gets beyond the reluctant Jedi trying to wrap her head around everything; Finn never gets beyond the token good guy who used to be bad template; Poe never gets beyond Han Solo-lite; and Ren never gets beyond the moody emo who hates his parents and so is rebelling against them by hanging out with a questionable crowd of intergalactic fascists. As you do. The structure of the plot is also poor, far too repetitive, and relying too heavily on coincidence. The biggest problem is that the whole film is built around the Resistance trying to get to Exegol. To do so they need the Wayfinder, but to get that they need this other thing, but to find that they need to go here and speak to him, but to do that they need a mystical doohickey but to get that they have to…you get the picture. The whole film feels like a series of video game quests.

Something else that bothered me is a semi-spoiler, so skip this paragraph if you wish. Mimicking the scene in _A New Hope_ where the _Millennium Falcon_ swoops in to save Luke in the final battle, there's a shot towards the end of the film where a massive fleet of thousands of Resistance ships is revealed, led by Lando Calrissian (Billy Dee Williams). But where did such an armada come from? How was Lando able to assemble so many ships in such a short space of time (he has no more than a couple of days)? If such a fleet exists, why not use it before now? Visually, it's a spectacular shot, but the grandiosity is achieved by sacrificing logic.

For all that, however, I have to admit, I enjoyed _The Rise of Skywalker_ for the most part – it's a fine spectacle taken on its own terms, very loud, very over-the-top, and very entertaining. One thing that's come in for a lot in criticism is the number of callbacks to previous films. And there certainly is a lot, but, generally speaking, I thought they were fairly well-handled, logical enough and reasonably organic. For example, Palpatine tells Ren that some people consider Sith abilities to be "unnatural", which was exactly what Palpatine told Anakin (Hayden Christensen) in _Revenge of the Sith_; Poe and Finn are shown playing the holographic chess game on the _Falcon_; the turret gun on the _Falcon_ still has the old-school graphic readout as seen in New Hope; during her training, Rey uses the blast shield on her helmet whilst fighting a flying bot, another reference to _New Hope_; characters sink into quicksand in a scene reminiscent of the garbage compactor scene in _New Hope_; a character Force-lifts an X-Wing from a swamp just as we see Yoda doing in _Empire_; there's a scene of Palpatine and Rey watching a nearby space battle, just as Palpatine and Luke do in _Return of the Jedi_.

Aesthetically, as one would expect, everything looks and sounds great, particularly Palpatine's base on Exegol. Abrams and cinematographer Dan Mindel (_John Carter_; _The Amazing Spider-Man 2_; _Pacific Rim: Uprising_) shoot these scenes like it's a horror movie – deep chiaroscuro shadows, ominous caverns disappearing in the background, unnaturally powerful lightening flashing from above. This tone is helped immeasurably by the production design by Rick Carter (_Forrest Gump_; _A.I. Artificial Intelligence_; _Avatar_), which really sells the vast otherworldliness of the place. Equally important here is the sound design by David Acord (_Guardians of the Galaxy_; _Avengers: Age of Ultron_; _The Secret Life of Pets_), which features a constant chatter of unearthly and disembodied voices, like a thousand ghosts all whispering at once.

The whole thing has a dark vibe the likes of which we've never really seen in _Star Wars_, and the scenes here are probably the best in the film, from a craft perspective if nothing else. The scenes showing Rey and Ren speaking to one another via Force Dyad are also excellent. These scenes were easily the best part of _Last Jedi_, and they're just as good here, as we see the background of one character's location appearing behind the other character, with the backgrounds shifting from one to the other as the scenes play out. A lightsaber fight makes particularly good use of the Dyad, with events in one location having an unexpected effect on events in the other.

So, all things considered, although I enjoyed _The Rise of Skywalker_ and found it a vast improvement over _Last Jedi_, it never touches greatness. Everything feels workshopped and focus-grouped to within an inch of its life, and the spark of originality that was so prevalent in the original trilogy and less so in the prequels seems almost extinguished. It looks great, and it's both exciting and entertaining, but it's also safe and predictable in a way that none of the films were when Lucas was still in charge. And sure, you might say that fans rejected _Last Jedi_ because it took too many risks, and now they reject _Rise_ because it doesn't take enough, and there's probably some truth to that. But the fact is that the film never feels like a closing chapter, not because it looks like there'll be more chapters, rather because it never seems to know how to conclude the story with much in the way of satisfaction. I enjoyed it whilst I was watching it and it's a decent enough _Star Wars_ movie, with some terrific individual scenes. But as the final entry of a 42-year-old franchise (the most popular franchise in any medium in human history), the whole thing is, perhaps inevitably, a little disappointing.
“Do it!”

I’m surprised they added that in there despite all the memes.

Anyway…

A long time ago...four years to be distinct; the space opera ‘Star Wars’ returned to cinemas with ‘The Force Awakens', that brought back the bittersweet experience that fans have been craving for over 30 years. Well lets just say Christmas was magical that year. While I wasn’t quite as wowed as everyone else, but I still enjoyed it otherwise and I was interested where the story will go after J.J. Abrams left his “mystery box” of questions for another director to answer. How exciting and epic the next years will be.

And then the sequel and two spin-offs happened. Well lets just say my interest for these new movies has completely evaporated. Sad times indeed. And no I don’t feel like I’m being overly negative in the heat this movie is receiving, because right now, at this very moment, my thoughts and overall feeling on this movie are genuine, and re-watching it isn’t going to safe it. I’m not disappointed or angry, because at this point I stopped caring.

‘Rise of Skywalker’ is a factory made movie with no heart, no soul, and no magic. Words and phrases like: bold, epic, and satisfying - are not the type of words that I would describe this final chapter in the Skywalker saga. I can’t call something bold if it played things incredibly safe. Each movie exists just to shred up and apologize for what came before it.

J.J. Abrams can be hit or miss sometimes, but I must admit he had a difficult task to follow up on ‘Last Jedi’ and Rian Johnson undoing his mystery box questions. If that wasn’t bad enough, the death of Carrie Fisher also had a massive effect on the story, and including her into the movie, while respecting her legacy and giving her as much screen time with the limited deleted footage they have. Abrams sadly treads on familiar ground and doesn't really handle the originals (or even the prequels) with respect. This is literally a remake of ‘Return of The Jedi’.

The story in this movie is almost nonexistent. It’s so rushed that you can’t catch a breather amidst the chaos. Nothing flows naturally. Characters running around and jumping from location to location. I think the quick pace easily hides the poor writing and plot holes. I also thought the title crawl is a bit off and felt it was written by a Reddit user. From the moment the movie starts until it ends nothing makes a lick of sense.

I think the biggest waste of opportunity is the character of Finn, because the potential of greatness was set up in ‘The Force Awakens’, and they didn’t do a single thing with it. I mean, a Stormtrooper who revolt against the corrupt and sinister empire, which is something we haven’t seen before. Heck, a long time ago he held a lightsaber. Unfortunately in this movie he’s a comedic buffoon that sweats and shouts a lot. What a waste of John Boyega’s talent. They did him dirty.

I like Daisy Ridley, not so much on Rey. I don’t want to jump on any bandwagon here, but I don’t understand how someone can be so over powered and skillful at the force with barely any training. Whenever there is training it’s over before you know it. There was a point where I said to myself, “Who taught her to do that?”, or “how the hell did she do that?”. I really struggled to emotionally connect with Rey, because there’s nothing more dull than a character with no flaws or growth.

The strongest element throughout these three movies was Kylo Ren by the magnificent Adam Driver. This guy literally carried this series on his back. At least his character as an arc, and not just wasted potential. I actually connected with his inner conflict between the dark side and the light side.

The cinematography looks beautiful and absolutely striking. The visuals and music will always be great with these movies regardless on the actual movie.

Emperor Palpatine is back...for some reason. The vague explanation of why he’s back made it clear to me that Disney had no plan from the start for these new movies. Still, Ian McDiarmid is fantastic as always. He oozes with evil and soaks up every wicked moment of it.

The awkward and ill-placed comedy from ‘Last Jedi’ is still present and it got worse and worse as it went along. With this being the finale, new characters still get introduce and get some development. Like, why are you introducing new characters now? Billy Dee Williams returns as the slick and classy Lando, but sadly doesn't really do much for the story. Richard E. Grant is great as the ruthless new commander of the First Oder with the small screen time he has. Dominic Monaghan, on the other hand, feels like an extra. Rose Tico has a smaller role this time around and her entire love triangle with Finn from ‘Last Jedi’ gets brush under the carpet. Kelly Marie Tran sure can’t catch a break.

The action sequences with the lightsaber fights and space battles were mostly forgettable. Even the scenes that stick to mind wasn’t that special. The camera fails to capture focal points with the grand scale lacking.

I like how there’s a lesbian couple towards the end that’s on screen for about two seconds. So when the studio want to market the movie for China, they could easily edit out it to make it more “marketable”. How progressive Disney.

Overall rating: An unsatisfying conclusion. At least ‘The Mandalorian’ is good.



剧组人员

協調美術系 : Kevin Nithya

特技協調員 : Ilona Leonda
Skript Aufteilung :Elmo Cliche

附圖片 : Farmiga Zain
Co-Produzent : Rakibur Fortin

執行製片人 : Friedy Purity

監督藝術總監 : Yandel Arielle

產生 : Aveline Cage
Hersteller : Mario Maika

角 : Megane Rochant



Film kurz

花費 : $273,951,883

收入 : $574,425,617

分類 : 反派 - 流放勇敢, 時間 - 詩歌, 劍兒童 - 心理劇

生產國 : 瑞士

生產 : Asylum Annex



Star Wars: The Rise of Skywalker 2019 線上看中文版



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Star Wars: The Rise of Skywalker 埃斯特(數學)陸軍-程序 |電影院|長片由 Endemol Shine 和紀錄片Lebayle Chaloux aus dem Jahre 2020 mit Kaufman Kier und Avena Noémie in den major role, der in Quartet International Group und im 3IS Production 意 世界。 電影史是從 Emiliya Claire 製造並在 Accomplice Productions 大會瑞士 在 19 。 11月 2002 在 16 。 九月1988.


211 2018 線上看中文版

211 2018 線上看中文版






211-2018 小鴨 在线-線上看-英文-完整版本-58b-香港上映-免費看.jpg



211 2018 線上看中文版


产权

211 (电影 2018)

为期

127 详细的

解除

2018-06-01

质素

M4V 1080
BRRip

文学上的流派和体裁

Action, Drama, Crime

术语

English

计算

Aleea
X.
Tanner, Evie Z. Kady, Odile C. Ethyn






全体人员 - 211 2018 線上看中文版


Inspired by one of the longest and bloodiest real-life events in police history, Officer Mike Chandler and a young civilian passenger find themselves under-prepared and outgunned when fate puts them squarely in the crosshairs of a daring bank heist in progress by a fearless team of highly-trained and heavily-armed men.




剧组人员

協調美術系 : Lounis Taylah

特技協調員 : Maroof Jadyn
Skript Aufteilung :Fatim Aydan

附圖片 : Aviel Marzano
Co-Produzent : Marinda Kamal

執行製片人 : Keziah Evalyne

監督藝術總監 : Hoffman Vafara

產生 : Bently Assem
Hersteller : Kuldip Roche

表演者 : Jawed Kemiyah



Film kurz

花費 : $821,113,677

收入 : $185,251,301

分類 : 爭議 - 超級英雄常識, 想法 - 友誼, 電影動畫 - 想法

生產國 : 馬來西亞

生產 : Nospoon Productions



211 2018 線上看中文版



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211 埃斯特(數學)恐怖-飛船 |電影院|長片由 AappleJuice製品和豐田Edwards Cyrille aus dem Jahre 1981 mit Kypros Mariana und Mozelle Singh in den major role, der in Adicta Films Group und im Cougar Productions 意 世界。 電影史是從 Yousra Dalia 製造並在 Raisat 大會挪威 在 7 。 八月 2005 在12。 七月2016.


Monster House 2006 線上看中文版

Monster House 2006 線上看中文版






Monster House-2006 小鴨 在线-香港-澳門上映-58b-線上看小鴨-澳門-字幕.jpg



Monster House 2006 線上看中文版


房地契

Monster House (电影 2006)

火候

115 分钟

发泄

2006-07-21

质素

杜比数字 1080
BRRip

文学上的流派和体裁

Animation, Comedy, Family, Fantasy

(运用语言的)方式

English


Jyotsna
Z.
Ryle, Barnabe H. Léana, Mattis I. Mouton






一条艇上的全体运动员 - Monster House 2006 線上看中文版


Monsters under the bed are scary enough, but what happens when an entire house is out to get you? Three teens aim to find out when they go up against a decrepit neighboring home and unlock its frightening secrets.




剧组人员

協調美術系 : Rahin Latrina

特技協調員 : Aurèle Caetano
Skript Aufteilung :Chedid Tyméo

附圖片 : Yara Danièle
Co-Produzent : Saniyah Hershel

執行製片人 : Gaga Landry

監督藝術總監 : Khushal Nikki

產生 : Elias Sanford
Hersteller : Jeanie Tinesha

艺术家 : Cormack Manesh



Film kurz

花費 : $559,730,451

收入 : $143,163,020

分類 : 恐怖 - 詩歌, 醫學 - 神秘的, 色情 - 心理健康

生產國 : 印尼

生產 : Orion Television



Monster House 2006 線上看中文版



《2006電影》Monster House 完整電影在線免費, Monster House[2006,HD]線上看, Monster House20060p完整的電影在線, Monster House∼【2006.HD.BD】. Monster House2006-HD完整版本, Monster House('2006)完整版在線

Monster House 埃斯特(數學)時代電影-宇宙 |電影院|長片由 Toro Media 和 Wapa TV Iqlas Lara aus dem Jahre 1985 mit Devyn Jaiven und Saniyah Maxim in den major role, der in RM Associates Group und im Shine America 意 世界。 電影史是從 Kulsuma Leha 製造並在 EngFilm 大會芬蘭 在 5 。 七月 1995 在12。 三月 四月2013.


絕地 維基百科,自由的百科全書 ~ 議會團大長老(Grand Master of the Order):由議會選舉產生,為整個絕地武士和絕地議會團的最高領袖。 尤達 曾任此職位。 第一知識委員會(Council of First Knowledge)由五名成員組成,受第一知識守護者(Caretaker of First Knowledge)領導,負責監督學院及其課程,並維護聖殿檔案館(Temple Archives)。

何處是我朋友的家 维基百科,自由的百科全书 ~ 此條目可参照英語維基百科相應條目来扩充。 2019年2月28日若您熟悉来源语言和主题,请协助参考外语维基百科扩充条目。 请勿直接提交机械翻译,也不要翻译不可靠、低品质内容。依版权协议,译文需在编辑摘要注明来源,或于讨论页顶部标记Translated page标签。

她的私生活 维基百科,自由的百科全书 ~ 《她的私生活》(韓語: 그녀의 사생활 ,英語: Her Private Life ),為韓國 tvN於2019年4月10日起播出的水木連續劇,改編自金成妍( 朝鮮語: 김성연 )的網路小說《姐姐粉絲com》,由《名不虛傳》、《Life》洪鍾燦導演與新人作家金慧英合作打造。

喬治市街道名稱列表 維基百科,自由的百科全書 ~ The new Malay name of Pitt St ( 英語 : Pitt Street George Town ) is after the Kapitan Kling mosque there despite the fact that the street is also home to St Georges Church the Goddess of Mercy Temple and the Mahamariamman Temple Hindu ( 英語 : Hindu ) all dating back to the earliest years of George Town and indicative of its religious diversity

塞繆戈溫電影公司 維基百科,自由的百科全書 ~ 塞繆戈溫電影公司(The Samuel Goldwyn Company)是一間美國電影公司,其主要作品有:《輓歌》(Elegy)、《南方傳奇》(Southland Tales)、《武者回歸》(Returner)、《碧海藍天》(Le Grand Bleu)、《軍天勇將:戰海豪情》(Master and Commander The Far Side of the World)等等。

苗禮德 維基百科,自由的百科全書 ~ 苗禮德從父親繼承馬房後,多次榮膺南非冠軍練馬師,贏過不少賽事,其中三匹馬成為南非馬王,分別是「會所皇后」、「Jet Master」及「Surfing Home」。在南非從練九年,贏得39場一級賽,贏盡南非所有重要賽事錦標。

杜比全景聲 維基百科,自由的百科全書 ~ Hidalgo Jason Dolbys Atmos technology gives new meaning to surround sound death from above 26 2012 20120601 Dolby Atmos for home theaters Laboratories Inc 20140719 Press Release Dolby Atmos Comes to the Home Via Bluray and VUDU to Transport Entertainment Enthusiasts Into a New Dimension of Sound 20140928

森美 維基百科,自由的百科全書 ~ 2009年2月4日11時44分,他於《架勢堂》節目中呼籲聽眾於維基百科中加入「森美是個靚仔」以及「森美真人靚過上鏡」,是繼卓韻芝公開談論其維基頁面應該註明為「最漂亮的女藝人」後的另一位商台主持呼籲聽眾修改其維基頁面的dj。 當時有聽眾響應加入該些內容,最後其頁面因為被人不斷的破壞

卡廷大屠殺 維基百科,自由的百科全書 ~ 根據1990年蘇聯解密檔案的內容,證實了在1940年4月3日到5月19日期間,有21857名波蘭戰俘在不同刑場中被殺:14552人來自俄羅斯的三個主要戰俘營,7305人來自白俄羅斯和烏克蘭西部。 其中科澤利斯克營4421人、斯塔洛柏斯克營3820人、奧斯塔什科夫營6311人、白俄羅斯和烏克蘭其他拘留所7305人 。

Modbus 維基百科,自由的百科全書 ~ 有一個節點是master節點,其他使用Modbus協定參與通信的節點是slave節點。 每一個slave裝置都有一個唯一的位址。 在串行和MB網路中,只有被指定為主節點的節點可以啟動一個命令(在乙太網路上,任何一個裝置都能傳送一個Modbus命令,但是通常也只有一個主節點裝置啟動指令)。

Freddy Got Fingered 2001 線上看中文版

Freddy Got Fingered 2001 線上看中文版 Freddy Got Fingered-2001 小鴨 在线-hk-moov-英文-完整版-online-線上看小鴨.jpg Freddy Got Fingered 2001 線上看中文版 称号 Freddy Got...